Wednesday, March 21, 2018

Face


Faces are the hardest to describe and reproduce. The basic components are simple enough, like the exposition at the start of a fugue. But just as an increasingly varied musical theme gets harder to hum amidst the unfolding counterpoint, one's facial expression is a complex, dynamic intersection of physical and metaphysical attributes elusive to capture. There are no identical twins.

In novels, characters' faces are always blurriest in my mind's eye, the descriptions like molded plaster that won't stick to its subject. It's the same in nonfiction: police sketches never fully resemble the perp because the profiling software can't render the narrative behind the eyes, the life that led to the likeness. For that revelation, you need to meet someone's gaze directly.  When you do, you see a vivid page from an autobiography in progress.

So many sets of eyes, noses, and mouths, and the stories to go with them. Billions―collectively the same, individually distinct.  Past faces, living faces, and all those yet to come... 

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